DON FROST
Copies of Nothing
Intertwined and twisted like a mobeus strip gone astray, the swooping of a swallow, or the razor wing of a bird of prey angling in the wind. What would that shape look like? Don Frost describes such things with sensual sculptures of interminable turmoil. Hanging weightless in the suspense of motionless momentum these metallic metaphors circuitously mutate through trajectories of dizzying complexity yet never lose continuity.
The materials used by Frost range from static solids like woods and metals to two part polymers and resins that change from liquid to elastic to plastic over durations dictated by chemical reactions. But every intermediate stage is an opportunity to discover how much more he can imagine. Don Frost finds pure joy in this process and thus the fruits of his imagination are a joy to behold.
Read MoreIntertwined and twisted like a mobeus strip gone astray, the swooping of a swallow, or the razor wing of a bird of prey angling in the wind. What would that shape look like? Don Frost describes such things with sensual sculptures of interminable turmoil. Hanging weightless in the suspense of motionless momentum these metallic metaphors circuitously mutate through trajectories of dizzying complexity yet never lose continuity.
The materials used by Frost range from static solids like woods and metals to two part polymers and resins that change from liquid to elastic to plastic over durations dictated by chemical reactions. But every intermediate stage is an opportunity to discover how much more he can imagine. Don Frost finds pure joy in this process and thus the fruits of his imagination are a joy to behold.
